Whether it’s large-scale works of land art, smaller-scaled works of nature-inspired art, or even artworks done in close collaboration with wildlife, environmental art can be quite diverse and plays a huge role in raising awareness about the importance of preserving the wild beauty of this planet. Dry statistics about the dire state of things are often difficult to digest, while art with a green message often connects with people on an emotional level.
Based out of South Portland, Maine, Zoe Keller is one of these artists who aims to highlight the fragile beauty and biodiversity of wildlife in the oceans, forests, and other threatened ecosystems. Detailed and meticulous, Keller’s work is the result of careful scientific research on her subjects and exceptional skill with both traditional and digital media.
Keller’s latest work is the Ocean Biodiversity Print Series, which depicts a wide range of marine wildlife in stunning anatomical detail, from octopi and seahorses to jellyfish. The work aims to inspire wonder at the incredible array of life that exists in our oceans, even if we land-bound creatures might not be so familiar with them. Thankfully, each of her artworks is also paired with a key to help viewers easily identify different species.
Keller grew up in a rural part of New York’s Hudson Valley and has always been fascinated with the forests surrounding her childhood home, often observing animals like toads, herons, and salamanders. Keller’s parents encouraged her artistic talents, she eventually graduated from the Maryland Institute College of Art, but she says she only got interested in scientific illustration a few years after finishing art school. As she explains to Treehugger:
Keller spent about six years focusing on graphite as her choice of medium, and one can really see the time and energy that has been put into these remarkably detailed works, down to the individual scales of snakeskin or bird feathers.
However, recently Keller has shifted to focusing more on adding color to her pieces, through the use of digital painting tools like Procreate, resulting in this latest series on the ocean’s biodiversity. She says the 2020 wildfires in Oregon were a “startling wake-up call” that hit home personally, prompting her to evolve her work further and to continue collaborating with scientific organizations and nonprofits alike. As Keller points out, we still don’t know much about the marine life that lives in the vast depths of the ocean and how they are threatened by plastic and chemical pollution stemming from human over-consumption. She writes,
Keller tells Treehugger that her creative process typically involves a lot of active investigation, usually starting with a period of research where she teases out potential visual ideas by combing through scientific articles or non-fiction books. Whenever possible, Keller combines this research with actual visits to the ecosystems that she will be drawing. When all these elements are more or less decided, she then does preliminary work to tighten up the composition and will render the artwork with either mechanical pencils or her iPad, with some works taking hundreds of hours to complete.
As Keller explains, those hundreds of hours of intensely focused creative energy are spent to inspire others to take notice and to care:
Ultimately, Keller says that finding our personal role in tackling the climate crisis and mass extinctions comes from balancing out what we are good at, what we are passionate about, and the problems that we might be uniquely positioned to solve:
Keller has some upcoming exhibitions this year, from Portland’s Antler Gallery in June, to the National Museum of Wildlife Art, and the Nahcotta Gallery in Portsmouth, New York, in September. You can follow her work on Facebook, Instagram, or her website. Prints for the Ocean Biodiversity Series at PangeaSeed Foundation are unfortunately sold out for now, but there will be new prints in the series that will be released later this fall.
