In implementing major socio-economic reforms, rapidly developing nations will often see a massive movement of job-seeking rural populations into cities, resulting in a haphazard pattern of urban densification as local authorities and slow-changing policies struggle to keep up with rising demands for modernized infrastructure and services. Vietnam’s second-largest city, Hanoi, is one prime example of this unprecedented growth, where these new pressures can present new, unexpected challenges to citizens, urban planners, and architects alike.
In response to these pressures, Vietnamese and Czech firm ODDO Architects have constructed a naturally illuminated, well-ventilated home for a family of four on a narrow lot, located in one of Hanoi’s densely populated residential neighborhoods.
Dubbed the TH House, the 1334-square-foot (124-square-meter) dwelling is split over five stories and is surrounded on three sides by adjacent buildings. The lot itself measures a mere 13 by 19 feet (4 by 6 meters), with the front entrance having access to a narrow alley measuring 4 feet (1.2 meters) wide.
These are tight quarters, yet with the careful use of overlapping volumes and strategically placed skylights and windows, the architects have managed to create a home that feels much more open than these cramped dimensions might suggest.
As the designers explain, these design decisions reflect the family’s desire to stay connected with each other, and with the community at large:
One enters the house via the northern facade through sliding glass doors that fold up to take up less space, thus coming directly into the kitchen.
In this way, the small footprint of the home can “borrow” some extra floor space from the alley, while also allowing fresh air to flow in. While entering a house through the kitchen may seem odd in a North American context, in Vietnam, this is actually quite common, the designers explain:
Going up a winding staircase off to the side, we come up into the parents’ bedroom on the second level. They have their own bathroom with toilet and shower, with more privacy and noise-dampening afforded here with the use of a layer of plants over the north facade.
On the next level up on the third floor, we have the living room, which is relatively open on the northern facade side. After ascending the white metal mesh staircase, one steps up into a transitional space, where on the right is the living room, and on the other side is an immense glass facade that overlooks the northern side of the home.
These operable glass windows not only let light in but can connect the space visually with the neighbors, though privacy can be augmented by drawing down the blinds.
Rising up another level, we come to the children’s room on the fourth floor, which has two bunk beds, a wardrobe, and its own small bathroom. This space can be closed off with a series of folding doors that slide into place.
Finally, at the topmost fifth level of the home, we have an altar room for praying, a common feature in traditional Asian cultures, as well as an adjacent laundry room, and access to a small outdoor terrace with views looking out over the city. The wall overlooking the skylit-staircase is made with bricks, which have been staggered to let more light in.
Throughout the house, there are pockets of greenery and freestanding plants to soften up the minimalist interior. As the architects explain, these verdant interventions are an effort to balance out the local environmental effects of Hanoi’s rapid urbanization:
Even in the midst of a densely packed and quickly growing city like Hanoi, a calm and green-filled home is possible. To see more, visit ODDO Architects and on Facebook.
